What a year! We’re grateful for all the opportunities we’ve been given and proud of our accomplishments. Take a trip down memory lane with us as we explore our best booths of the year. (And get ideas for your future!)
Ripley Entertainment at IIAPA
Ripley Entertainment at IIAPAWe produced this wonder in 45 days! They wanted something “quirky and wacky” and we delivered. The booth included two storage areas, conference seating for 6, two stations where attendees could try to break Guinness World Records, and several other interactive exhibits. Ripley Entertainment started as a daily newspaper cartoon in 1918 and has grown into a global leader in family entertainment today. We really did it.
Barclays at Grace Hopper
Barclays was a 10×30 online booth. Their corporate style is mid-century modern, which we highlighted with a clean look and aesthetically pleasing furniture. They needed a conversational space for interviews and a welcoming space for their private meetings. Clients loved it!
Display data at NRF
Displaydata is the leading designer and supplier of fully graphical electronic shelf labels. The company wanted their stand to replicate a real experience for their customers. So we created 7 different buying stations where customers could physically interact with the technology. We incorporated a two-tier structure where they could hold private meetings. 10/10!
Azélis at the IFT
Azelis wanted a clean, open, airy and modern booth design. It was 20 x 20 and backlit, which really made it stand out at the show. The design is clean to allow for consistent product and conversation areas and it is actually a modular rental. We love seeing it!
KLS Martin at AAOMS
KLS Martin was a 20 x 80 buying stand, but it can be reconfigured to 40 x 40 for multiple uses. The client came with a strong brand presence to communicate how they wanted to be perceived: high-end, technological and targeted. They needed large spaces for product presentations and demonstrations and the center has a large conference room. It was open and welcoming.